at大光明戈达尔“伟人”时期的实验作很难脱离68关键年的时代背景评价就如果当作政治波普看其能量超越反讽而风起云涌我觉得音乐、政治、流行对戈达尔来说都是等价置换的符号工厂影片就像是符号的真实荒漠:黑人废弃站剧场、安妮林中回答、滚石排练与小黄书音轨的互相覆盖都暗示语言的空转如果把全片看成不同原料调成的鸡尾酒地摊书店段落就是一颗花椒其辛辣不在于对色情杂志封面的特写巡礼或貌似《WRITE AS 教授》bookmen的念书而是特定口号和致礼被作为支付的通货这是戈达尔最毒的眼光他对左派的态度长相思免费完整版就像安迪沃霍对资本主义的态度既依赖又玩弄就好像把电影本身当作间离效果的集大成这对电影足够激进但对艺术来说不够——在于戈达尔仍要作者对长镜头和剪接时序的确认本片十段如果随机播放会怎样
Bilingualism (Wolof and French) Biculturalism (Africa/Europe);multi-dimensional figures ; haunted by the repressive colonial past and the onslaught of globalization in Africa;“The extraordinary satire of these corrupt classes…is explicitly marked as the failure of the independence movement to develop into a general social revolution” ;National autonomy was the only conceivable goal; “social regeneration which has not yet found its agent”; Impotence as metaphor forlack of external control by independent Senegal.