红色的房间里的theatrical sorrow and grief, 白色裙摆间的distorted kinship and female intimacy. 伯格曼在渐明渐暗的红色中构造(噩)梦我竭力思考这其中是否有the space for further conceptual inquiry. No matter what,我反对将其作为某种poignant delineation of female relationship,因为它依然带有系统性中的normativity,而缺乏进一步在自反中解读死亡身体和the subtle queerness.
这样的题材凡要忠于现实就不会太出彩但我想说的是真是受够结尾当事人出镜所说的"not as victims of violence, but ambassasdors for peace"这种陈词滥调的小清新了更有现实感的是片中的另一段对白:- I have rights. - You ain't got shit, sweetheart. 当真这么做无疑是行不通的但至少是无比真实的情绪反应啊