The different universes and atmospheres created by David Lynch always show a strong level of originality, as if the director was focused on creating something radically unique - a delicate balance of opposites, at the frontier of underground ultra-violence & perversion and heart-warming & simplistic vintage feelings. Freud meets Disney in heartland America. In trying to preserve such an ambitious equilibrium, Lynch does miss the mark at times. While Twin Peaks succeeded with absolute perfection in creating a heavenly space-time recently scourged by evil forces, Wild at Heart mixes the genres and styles in confusion, committing a “faute de go?t" both in terms of aesthetics and script
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三人行必有一个最惜己必有一个最重情也必有一个最重义 最感动人的就是将美好的东西亲手摧毁掉 自由比什么都重要为了自由不惜洒热血、甚至忍辱、甚至亲离众叛 不愿遭受贫穷选择杀人放火;不愿受人欺凌情愿一时意气;不愿承受离别甘愿同甘共苦 他们为了不受外邦欺凌备起炸药包反抗nearer my god to thee是生命重要还是自由重要 她为了能够恢复真身忍辱负重最后还是没有忘掉那紧握手中的护照如果西贡那条小河彻夜响起蒲公英的歌声那必定是那个穿红衣刚烈的女子 情与义在心中 那夜说走就走的意气话呢 那支架在头上的枪呢 再见了还是把枪放在心口吧一了百了忘不了的都忘了不想记的都不记愿来生不再相会如果有的话